![]() Bathory in bath and her servant, Kate, Helena Jo, and Jane | ![]() Countess Bathory, wedding night | ![]() Bathroy and her servant, Kate |
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![]() Witch | ![]() Bathory and servants during battle (sword dance) | ![]() Drugeth, King Matthias II, Ference Nadasdy, Petre Zavodsky, Thurzo |
![]() Ference Nadasdy, and his servant, Johno | ![]() King Matthias II | ![]() Countess Bathory killing Kate |
![]() Cast and crew photo | ![]() Bathory - Wedding and Red Gown | ![]() Bathory - Bath Robe and Battle Gown |
![]() Nadasdy, King, Drugeth, Thorzo, and Petre | ![]() Helena Jo, Kate, Katalin, Anna, Sacrifice Robes (cut) | ![]() Witch |
![]() Key Bathory research image | ![]() Key research image | ![]() Key research image |
![]() Key research image | ![]() Key research image | ![]() Key research image |
![]() Key research image | ![]() Whisk process | ![]() Whisk process |
![]() Battle corset process |
Countess Bathory: By Jared McDaris
We Three
Directed by: Jared McDaris
Costume Design: Delena Bradley
Lighting Design: Benjamin Dionysus
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Countess Bathory follows the real life historical figure's descend into madness starting with her wedding night and ending with her death penalty for murder in Turkey. The director/writer intended the aesthetic concept to be a blend of baroque, Elizabethan, and modern gothic. While most of the costume remain solidly between those three diameters, I wanted to show off the more savage nature of this world with a few characters. Bathory's servants had strong animalistic qualities, so as the story unfolded along with Bathory's insanity, more fur, feathers ect. would appear on her servants. In addition to that, Bathory's gowns would depart further and further from any recognizable reality, the furthest being the skeletal battle dress, with exposed skirt hoops and bodice bones.